Designed for videographers and action photographers alike, the black Fujifilm X-T3 is a versatile mirrorless camera characterized by its high-speed performance, more-than-capable imaging, and multimedia flexibility. An easy way to identify what codec you are using by looking at the LCD, FUJIFILM X-T3 at ISO 8000. It requires a compatible sensor (Samsung got that down, and appears to be the sensor provider for Fuji here.) All trademarks and product names are property of their respective owners. This coming from a NX1 user since 2014 to present. If you’ve been following the development of FUJIFILM’s cameras, I’m sure you have noticed that something very interesting is happening. I want to believe that using a non-final firmware version was the issue. The crop factor of Fuji cameras with APS-C sensors is 1.5×. Regardless if it’s a Samsung sensor or not. And it will be, it’s only a matter of time. Memory cards. All the streaming services have their own compression algorithms irrespective to any one camera profile. Specifically, when shooting video on the EOS R, the image is cropped. Your ranting is a little misinformed. The rolling shutter performance alone looks like a real selling point for me. Nikon had made great strides with their D850. that sounds great! Wondering if you have a recommendation, as there seem to be an awful lot of cards that don’t always work as advertised. FUJIFILM X-T3 Review ... to a lesser extent) and skipped over full frame altogether. Score Our analysis. The A6600 was somewhat cheaper (by 7 percent) than the X-T3 at … It would be great, if you could pass that on to Fuji. Nothing is ever good enough in the Internet. Does this work the same for the aperture? Having h.264 still available is really important. I still own and yes operate my NX1 for filmmaking, it still holds up well the 4 years I’ve owned it. A 56mm ƒ/1.2 APS‑C (1.5x crop factor) lens is equivalent to an 84mm ƒ/1.8 full frame lens, not an 84mm ƒ/1.2 lens. Rolling shutter performance on this camera is incredible. This won’t be a problem for portrait and event shooters, and it may even be a benefit for wildlife and sports photographers who want to maximize reach. Adrian. Dude, seriously. That’s a statement. Glad to see fellow Latvian Baltic Bees featured! It’s about a company making a bold statement and not purposely holding back the tech. FUJIFILM have listened carefully to feedback given by filmmakers and created their best ever video orientated mirrorless camera. (This filter tends to soften the image a bit, but I like it as it kills the “video harshness”), A special thanks to the entire Baltic Bees team (Pilots, technicians, Arturs and Laura). (68g) more than the old X-T3. I was surprised to see how well it was upscaling into my 4K timeline. How on earth did you get such fantastic access? The h.265 codec isn’t just software. I have no information about a Sony a6700 but in all honesty, I can not see Sony giving that type of camera 10 bit internal recording, better codec and such a high data rate. After the success of the X-T2, Fujifilm announced the Fuji X-T3 successor on September 6, 2018. PS Matthew your also right on about company sensor calibration + motion cadence etc – there are many ingredients in the soup of video!Often this stuff is overlooked by the easier to quantify specs , yet funnily enough these areas are often more important to overall imagery. You lump Canon in here as if they’re one and the same, but they’re just pissing into the wind, to put it kindly. Hence 4 pixels into 1 gives a factor of two (sqrt(4)=2) higher Signal to Noise ratio. Cinema 5D is more of a business than a personal buddy. In some conditions, ISO 12,800 can be used too. Super 35mm film has a size of 24.89mm x 18.66. But like the other mirrorless hybrid systems, even in 2018, the image they produce is thin, too sharp (along with the new Canon and Nikon) and “digital”, like a proper digital broadcast video camera, even at 24fps. Camera start time (In video mode) is too slow, Some of the menu quirks that were found in the X-T2 and X-H1 were inherited by the new camera. And you all fall for it every time. Downscaling from a 4k image… down to even 2k and reupscale it again. Sensor resolution is used in pixel pitch, pixel area, and pixel density formula. The Fujifilm X-S10 and the Fujifilm X-T3 are two digital cameras that were revealed to the public, respectively, in October 2020 and September 2018. In addition, “Eye detection/Face detection” focusing method is functioning in video mode too, The headphone jack is now built into the camera body itself, no need to purchase the camera grip for that purpose, Good Rolling Shutter performance. ( 16bit downscaled to 12bit 4:4:4 colour with 14+ dr ), Look forward to a full article / some video examples of your findings + how the testing is done – it’s something really lacking online – Zacuto did a bunch of tests 5+ years ago – but since then – only you guys have had various DR ratings that have been called into question over the science etc…Would love to see you guys redo testing on the Canon 5D mk2 + Sony A7S originals just for reference :). The footage of the BDM Pocket 4K camera looks plenty good enough for most filming scenarios (besides practical vlogging)and would meet the technical requirements of any in-house film department of any big name streaming company.If it can do an acquisition codec, in 10bit or above it’s technically good to go. Fujifilm X-S10 vs X-T3. Edited on Adobe Premiere CC latest edition. Chris my man, long time no talk. No worries at all Johnnie, always a pleasure checking out your stuff + Cinema5d !Definitely understand with the IBC / Photokina madness – keep it in the waiting bay + add things in etc… then bring it out down the line once all the dust settles + things chill out a bit haha :). In doing research about jumping into this camera, UHS-II V-60 and V-90 cards are the only options (with the 10bit 400 meg files). 1.1 stop less. From the moment the company has noticed that shooting video with large sensor mirrorless cameras is much in demand, they responded by fulfilling that demand and since then haven’t stopped refining their products. ... albeit with a 1.25x crop factor that pushes the resolution from 26MP down to 16.6MP. I always write that it is just around 10.But no big “camera website” did test. The X-T3 is doing well! Dear Adrian, thank you for your kind warm words.Indeed FUJIFILM did a good job with this camera and I’m sure this is just the beginning…. Hot on the heels of Canon’s EOS R announcement, FUJIFILM have just announced their new camera, the X-T3. So the X-T3 has less DR than the X-T2? many people think the RD of this thing is as good as the new pocket 4k. And now with BM RAW coming to a Pocket 4k near you, well, that just sweetens the deal, doesn’t it? I also had dropped frames in the middle of a shot, which the Atomos does not recognize as dropped frames, but are clearly visible in the clip on the recorder but not on the cameras card. While there is an overall improvement in regards to the camera specifications and performance, it suffers from the absence of the following: Man at work during lousy weather with the X-T3. Rain, clouds and lots of noise made it challenging to execute, but all in all the camera performed well. I know this review was originally posted back in 2018, but I have to say thank you for resolving my indecision concerning a new camera purchase. Thanks for this article Johnnie, very informative. Switching from stills to video, the X-T3 is the most capable X-series camera that Fujifilm have ever released. I'm using an iOptron Sky Guider Pro equatorial mount, both for just the camera & the telescope with camera connected, & have just added their iPolar system to my SGP mount for polar alignment to make tracking more accurate for longer exposures using both arrangements. (FJ Prov 100). Looks great, but then again well shot by johnny and an interesting short story. Photos taken with the Fujifilm X-T3 compact system camera. The display time lag of just 0.005 seconds and refresh rate of approx. Film actually raises shadows and crushes the mids with smooth rolloff into the highlights. For sake of simplicity, we're going to calculate it in 3 stages. We will welcome feedback (And criticism) with the aim to be clear with what we do and how we get to those results. Best prices Price comparison. For example, by pressing an assigned button to digitally “zoom in” for easier focusing confirmation, when starting to record, the enlarged portion of the picture will NOT “jump” back in to the actual recording perspective. Sure, millions of amazing photographs have been taken with terrible cameras, but the aresnal of options with this here x-t3 makes it much easier to do what i find most difficult, capturing what i see in my head and getting it on film. That’s a little hard to believe. you're using and multiply it with crop factor. Thank you Fujifilm! This camera can easily produce “analogue looking” images and further more, if you take photos with it, in my opinion, it is the one that looks less digital. Both cameras offer a resolution of 26 megapixels. Crop factor or focal length multiplier is calculated by dividing the diagonal 1.3 oz (37g) heavier body than the old X-T3. They use the same 26.1-megapixel X-Trans 4 CMOS crop sensor and contain the same X Processor 4 chip. It is fast and accurate. Interesting.But I think the 10.6 is the correct number. No matter if it is 8-bit or 10-bitor S-log 2 or S-log 3. Pixel pitch is 3.74 µm. Dynamic Range is arguably that intagible last spec that really makes good video feel filmic – which as we know – Arri Alexa/Amira absolutely nails. We only send updates about our most relevant articles. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Other companies like Sony, Panasonic, Fuji and BMD are clearly less afraid of that business model. I’m not a fan of ext recorders either, but since I use the Shogun to monitor the X-T3 on the Ronin-S, I figured I might as well record to it. Appreciating the time you took to see the video and post a comment. Wanted to say – really looking forward to an article / explanation on the DR measurement, I still shoot with an A7S and have always found 1080P to be cleaner / have a bit more DR than UHD footage – the highlight rolloff is of course where DR really comes into play…. Also, if you don't want to worry about different crop factors, there's a Fix Movie Crop Magnification mode, where no matter the video resolution or frame rate, a fixed 1.29x crop is applied. Super if you’re a videographer. Then, the X-H1 came and brought even more possibilities for the creative video shooter: In-Body Stabilisation System, Internal F-Log recording and the ETERNA film simulation picture profile, just to name a few. Very good bit rate for a small mirrorless camera! As I have already pointed out, being a mini-version of its big brother, the X-T3, the Fuji X-T30 offers quite a bit value for the money. Here the X-T3 got 11.2 stops, while in a march 2017 article on the Gh5, the X-T2 was given 12 stops. But you brush that off like it’s nothing. Then, the X-H1 came and brought even more possibilities for the creative video shooter: In-Body Stabilisation System, Internal F-Log recording and the ETERNA film simulation picture profile, just to name a few. Specs The details. The rx10iv has a 8.8mm-222mm lens, which with the crop factor makes it 24mm-600mm equivalent. Definitely looking fwd to seeing more from Blackmagic as well. While the image quality is stunning, I keep getting the “Skippy” dropped Frame symbol occasionally. Problem is … A7SII was getting higher and higher results.11.7 stops. If you are short of time, let me start with my conclusion. He is also a co-owner of CineD. If I followed correctly all your comments, since this is not an interchange lens, I do not have to apply the crop factor 2.7 of this sensor to … This aspect almost always gets left out of these conversations. Recording internally *and* to an external source is no given, but Fuji have done it. In my opinion, this is guaranteeing us that FUJIFILM will not stop here. One of the major crop ... sliding in between the still-for-sale X-T3 and the ... featuring a 0.39-inch OLED panel with 2.36 million dots of resolution and providing a 0.62x magnification factor. (Nothing to hide). If you are short of time, let me start with my conclusion. What this means is that a 35mm lens on a Fuji X-T3 is the equivalent focal length of 52.5mm on a full frame camera. The 18-55 mm is the best kit lens on the market and is a […] Great video. Now, the BMDPCC 4K, that’s innovation in terms of the IMAGE you get for the price. First thing first…Thanks a lot for your kind warm words. Hi Matthew. X-T3 crop factor. Without their support it wouldn’t have been possible to complete this project. It’s comes close to operating a manual lens and an ENG camera where you have to think and anticipate while shooting knowing the buttons you assigned will do the rest, less fiddling with the menu system once you’re set. Saying that, if you suspect it is the camera, please send me a short summery of the issue and I’ll pass it to FUJIFILM to examine. Do I get also 1 stop more dynamaic range when I use Noise reduction?. (It will be useful to hear about that from other users, in case they face a similar problem after getting the camera with the final firmware version installed). A dedicated still/movie switch changes operation modes. Heat has been the primary roadblock for these small cameras all these years. If downscaling changes your DR Rating than you should change the test-setting. As with all other FUJIFILM cameras in this category, the LCD screen cannot be swivelled. Including a completely new sensor and the processor behind it, led to some fundamental progress. As I have already pointed out, being a mini-version of its big brother, the X-T3, the Fuji X-T30 offers quite a bit value for the money. Which doesn’t seem to be the case so far. focal length multiplier). We were lucky enough to get our hands on a production model to check its video capabilities. While 10 Bit is awesome, I’m a little worried about 4:2:0 chroma subsamplig. Dear Markus, please have a look at my reply to Andrew where I am explaining the results. (At times I’ve used H264 codec, 4K50p, 1080/100p). ;)Thanks for the info. Edited on Adobe Premiere CC latest edition. The Fujifilm X-T3 (Amazon, B&H) has a dual SD-card slot. FUJI XT2 ON SALE OR THE FUJI XT20? Small thing but very useful…, Not new but worth mentioning, as so many other manufacturers are struggling to get it right: In video mode, all the related photo functions in the menu are greyed out, making it easy to concentrate on the video menu items, Front tally light (A useful feature that can be found with the X-H1. ... X-T3 is a great camera for the video, and it motivates me to dive a little bit more into the video. In Sports Finder Mode, the camera will capture 16.6 Mega-Pixel images with a 1.25x crop factor and use its electronic shutter. Pictures are taken using a 1.25× crop, reducing the picture angle by an amount equivalent to increasing lens focal length by 1.25×; the crop is shown by a frame in the display. (1080 up to 120fps). That’s a big deal. Fujifilm X-T3 is a big update over its predecessor, but is it the best premium APS-C mirrorless camera? It does not haveto be super correct. Which is not true. On top and bottom of the picture, an ungraded parts. The fujifilm x-t3 gives you all of the features (plus a few extras) of a much more expensive camera at a fraction of the cost. The EOS R looks like a total waste of time. This camera is absolutely beautiful, has fast autofocus, and produces beautiful jpegs straight from the camera. Am I missing a setting somewhere or have i switched a setting that impacts it!??! Sporting the fourth-generation 26.1 MP X-Trans CMOS 4 BSI sensor, X-Processor 4 processor, a fast 425-point hybrid autofocus system, and very impressive video recording features, the X-T3 was an instant … The first isn’t a … But BMD also has it’s quirks that any longtime user will tell you are sometimes severe, and also rarely found in the bigger manufacturers’s cameras. The FUJIFILM X-T3 features a 3.69-million-dot high resolution EVF with a high magnification ratio of 0.75x. Dear Markus, I don’t want to highjack the X-T3 review here for a DR discussion, but let me briefly share my thoughts why there is no need to change the test setting and why dynamic range will improve by downscaling (as is very evident from our measurements): – The deciding factor for a dynamic range measurement is the signal to noise ratio (our criterion is S/N = 2 or in other words root mean square of noise = 0.5 = 1/ SNR or basically, the signal still has to stick out from the noise floor). I would love to see Fuji take more steps into the cinema space! Photos taken with the Fujifilm X-T3 compact system camera. Hard to put into words but you see it when you see it. My english is not good enough to tell you how wrong that statement is. What do you think about the new FUJIFILM X-T3 camera. The REAL challenge is to make a 4k, 4:2:2, 10 Bit image that shoots 60FPS in an editing friendly codec, on an APS-C or Full Frame sensor, inside a small DSLR/mirrorless body without having the internal components catch on fire. Dynamic range measurements between Cinema5D articles are often inconsistent with each other, let alone with measurements made by others with the same cameras and supposedly the same DR range chart. Where the hell is the innovation? PRODUCT HIGHLIGHTS. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. High Frame Rate Recording. On top, the LCD screen can serve as 4 “additional buttons”. No one has been able to beat the thermal roadblock yet. You are right with the Sony a7SII we stated “just under 12” in the past, but I think the actual measurement was done with a downscaled image (downscaled from 3840×2160 to 1920×1080) – I have retested the Sonya7SII recently and found the 10.6 stops in UHD with SLOG2, and 11.9 stops when downscaling from UHD to FHD (downscaling reduces noise hence (correctly) gives a higher DR rating with our IMATEST software). Mind you that the only downside when comparing that feature to the other two cameras is the greater crop factor . Crushing is for a very specific signature look in cinema. Some shots were stabilized in post. If you’ve been following the development of Fujifilm’s cameras, I’m sure you have noticed that something very interesting is happening. Really beautiful footage, and a different perspective on other reviews I’ve read – thanks so much! ISO 640 is native when you set the camera to the highest possible DR it can offer. What about Noise Reduction software. The X-T3’s sensor is backside-illuminated, which helps it collect more light, and uses Fujifilm’s unique X-TRANS pixel array which … Thank you so much for your work. They make and sell plenty of rolls of ND film to cover bright windows for a reason. Very pleased with the camera myself, by reading your thoughts on it! I won’t be shooting with it. And a revolutionary ergonomic upgrade that actually works with the human physique, not against it. Fujifilm X-T3: Overview. 26.1MP APS-C X-Trans BSI CMOS 4 Sensor; X-Processor 4 with Quad CPU; UHD 4K60 Video; F-Log Gamma & 10-Bit Out; 2.16m-Point Phase-Detection … Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG) Fuji X-T30 vs X-T3. Throw your money at it if you want. I like the idea in theory but it would be helpful to have one file set to test before spending $1500 on a camera sight unseen.Thank you for your time. Meh. Why is everyone so obsessed with the super wide aspect-ratio? On such a cloudy day, I needed every extra stop so the decision was easy…. Note that the High Speed mode works with a 1.29x crop. So either Cinema 5D’s methods are just far and above everyone else’s (which I strongly suspect isn’t the case) or they’re mainly trying to sell the cameras of their preferred vendors. The price is, of course, an important factor in any camera decision. If I’m not mistaken, it is the first APS-C sensor size mirrorless camera that records in 10-Bit internally. There's now a fully articulating touchscreen LCD that works ok under the bright sun. As a filmmaker, (not a consumer) it’s very wise to adopt the mindset of being a proverbial MacGyver. The configuration possibilities infinite. Sony won’t release anything in APS-C that’ll touch this— and they are pretty progressive with new tech. The Fujifilm X-T4 is the successor to the very popular X-T3, which was released in 2018, principally adding in-body image stabilisation, greatly improved battery life, a quicker and quieter mechanical shutter, enhanced continuous AF and a number of design tweaks. The first isn’t a significant difference, the second, kind of, is. The result – especially when shooting “documentary style” – can be disturbing…, In manual focus mode, the ability to tap on the screen and instantly get an accurate focus. With good diffused, color contrasted lighting, that doesn’t push huge contrast ratios, and good DIT knowledge, one can produce exceptional work in any scenario. (For a complete description of the numbers on the card please head to: https://www.bhphotovideo.com/explora/computers/tips-and-solutions/numbers-your-memory-card). With high resolution combined with the crop factor of an APS-C sensor, the X-T3 has the potential to be a macro powerhouse….with the right lens. There are also plenty of things in Resolve that can make video look more “filmic.”. If 10 bit floats the proverbial boat than sail on into the sunset. Just assign a movement to it (Up, down, left, right) and there you go with additional functionality. With the bigger battery, the X-T4 and its battery weigh 2.4 oz. Different sites measure it differently. First time I see some DR test for the Gh5.Which is great. FUJINON XF 100-400mm 4.5-5.6 R LM OIS, FUJIFNON XC 15-45mm f/3.5-5.6 OIS PZ,  FUJINON XF 16-55mm f/2.8 R LM WR,  FUJINON XF 10-24mm f/4 R OIS, FUJINON XF 8-16mm f/2.8 R LM WR, Heliopan 82mm Variable Gray ND Filter (This filter tends to soften the image a bit, but I like it as it kills the “video harshness”), The music used in the video above is courtesy of Music Vine. It's slightly higher Fujifilm’s best camera to date, the X-T3 has plenty to love: A rugged design, an autofocus system that leaves the competition in the dust and a suite of video options that could easily record a Hollywood blockbuster all on its lonesome. It shoots 10 bit, 4:2:2 but only on a micro 4/3 sensor. Hence, yes, if you downscale the DR increases – a very good argument for 4k recording and 2k delivery. Further more, by introducing the first ever APS-C sensor size camera that can shoot 10-Bit video internally, FUJIFILM is positioning itself at the forefront and becoming a serious candidate to consider when thinking of shooting video on a mirrorless camera. I feel like these manufactures are all about the gimmicks and features and less about the quality of the image, and I’m not talking about megapixels and resolution. Keep an eye out for Vision. Great review, thanks for the good work. Hi Johnnie – This looks very interesting – any thoughts on how this might stack up against a future Sony a6700? Hard to believe it is already one and a half years since producing this review. The Fujifilm X-T3 is a powerhouse mirrorless camera featuring up to 30 frames per second burst rate shooting and internal 10-bit video at 4:2:0. When Shooting 4K/50/60p the crop factor is 1.18X, Future firmware update will bring HLG HDR picture profile (BT2100). X-T3 vs X-T4 – X-T4 vs X-H1 – X-T4 vs X-Pro3 – X-T4 vs A6600 – X-T4 vs A7 III. Your overall crop factor is 1.77xm. I was wondering how gradeable the footage really is. “The native camera ISO is 640. As a former (ex-NHK) doc/news shooter, this camera ticked many boxes in the manual operation side of things. This camera is absolutely beautiful, has fast autofocus, and produces beautiful jpegs straight from the camera. I’m very interested in the X-T3 as a gimbal camera. I am a bit speechless. With 11.2 stops of DR, this little camera is doing rather well against its competitors. The H IMAGE QUALITY SETTING > IMAGE SIZE item in the shooting menu is fixed at P. Once you work with such a feature you actually don’t want to look back. The image coming out of these cameras is more the same than different. Really mindblowing stuff. Their company philosophy is just more traditional to SLRs. Pixel pitch is 3.74 µm. The X-T3 is the BEST camera FUJIFILM have ever presented, when it comes to video performance. Fuji has (by far) the best ... A rough calculation of the pixel density on its 1.53x crop factor sensor means that you would need a full frame camera with … These are ultimately still DSLRs, not film cams.And the innovation you speak of [outside the big brands] is in dire need. Unfortunately, I don’t have access so I don’t really know the process of handling the higher bit rate files with larger data rate (>100 MBPS) in HEVC codec. You can Download an ungraded version of this video for you to explore and grade by clicking here. We’re talking excellent potential for post processing macro photos and getting amazing, high quality, 100% crops. Hi, Johnnie! With such a high data rate, ALL intra, 10-Bit recording, a single video file will reach its 4GB FAT32 limit quickly, 20 minutes recording time limit when shooting in 4K/50-60p but the good news is, when shooting  4K/24/25/30p the actual recording time has been increased to 29:59 min WITHOUT the grip, as opposed to only 10 mins on the X-T2″, The native camera ISO is 640. Within the spectrum of camera sensors, this places the Fujifilm X-T3 among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. You're right about the crop factor. with crop factor (a.k.a. The camera can do up to 120 frames per second in Full HD mode. Let’s see them release a full, production cinema camera now! The first company to solve the heat issue will rule the industry. That’s not to say its not a remarkable piece of kit in and of itself, but it’s unremarkable in the sense that it doesn’t seem or feel that revoluntionary in today’s current lineup of usual suspects. Would it be possible to post a shot or two straight out of camera?Cheers. That has produced perhaps the most serious APS-C (crop sensor) development that I’ve seen. ALWAYS take these types of tests with a grain of salt. Grading is a very subjective thing… I chose FilmConvert for this job. I’ve challenged it with fast moving airplanes and 95% of the time it worked very well. 99% of content streamed using this type of distribution at the end of the day. Now, when you set to DR100 (Meaning a lower dynamic range), the ISO can be tuned all the way down to 160. Crop factor! Curious to see what SD cards you shot on, or if you shot externally? By a factor of 1.7x. Thanks to the 1.5× crop factor, we achieve the same angle of view and comparable depth of field as with the 300mm lens on the full-frame camera at f/2.8 (the exposure parameters will, of course, still match aperture f/2). Now, there is a new kid in the block, one that – in my humble opinion – surpasses both, the X-T2 and X-H1 in terms of video performance. IF you really like this camera but it suffers from less DR than say an Arri Alexa, first, remember it’s a fraction of the cost, and second there are methods and techniques to taming high contrast ratios OUTSIDE the camera itself used by the industry (and still is even with Alexa’s) for eons. The autofocus is simply incredible. To me, the camera seems boring. Thanks Johnnie. It is also the world’s first*5 mirrorless digital camera with APS-C or larger sensor capable of 4K/60P 4:2:2 10bit HDMI output. The shooting conditions at Radom airshow were FAR from being perfect. If you want to know the equivalent aperture for You should put together a tutorial on your “concept to creation” workflow, it’d make for a fantastic “How to” article (I’d pay for that too). But thats not the exciting part. Would love to see the insights that you + Gunther are talking about – a bit more in-depth + especially regarding the downscalling of UHD – HD ( Something that a lot of us still do – and maybe particularly useful for those trying to squeeze more out of certain lighting situations ). I’m a former pro photographer with a couple of Canon bodies and some lenses, but I was never fully satisfied with the Canon “look.” Your review helped pushed me to make the decision to switch to the X-T3 as I am looking to get back into photography as well as independent film making. Without their support it wouldn’t have been possible to complete this project. Note that the High Speed mode works with a 1.29x crop. Hi Hernando. 2018 is really the miwarless year, thanks for all the players you’re realising some very good new gears. New LCD mount allows 180º flips (old X-T3 only moved up and down a little, not left or right). I’ve always followed your articles since 5dmk2 days. It may be a year old, but it still compares favorably to the Sony in many respects. Meter mode selector (under Shutter Speed dial) now becomes a STILL/MOVIE selector. I give a hands on review of the Fujifilm X-T3. FUJIFILM X-T3. The X-T3 is at the same price when it’s on sale, but the X-T3 has no in-body image stabilization. (At times I’ve used H264 codec, 4K50p, 1080/100p). Why does Fuji use 1/125 by default? This makes it possible for the camera to have AF/ AE-tracking, blackout-free continuous shooting of up to 30fps, and silent mode. The 18-55 mm is the best kit lens on the market and is a […] free continuous shooting of … Pass. F-Log picture profile. Same with integrating improved audio, film emulations, many more codec options than I can remember in a mirrorless camera. The exciting part is that BMD is saying a quality image doesn’t have to cost you a fortune, and we as a company are not going to hold our technology back and we’re not going to hold creativity back either. It’s almost an inverted S curve to what most ppl do with their flat video files. Doesn’t really matter, because people will always find something to btch about. On a few occasions, the camera froze and I had to turn it off and on again in order to revive it, but I could not isolate the problem. Please watch Part 1 (10 Minutes) and Part 2 (50 minuts) bySteve YedlinResolution Demo:http://www.yedlin.net/ResDemo/index.html. The fujifilm x-t3 gives you all of the features (plus a few extras) of a much more expensive camera at a fraction of the cost. If you need to deliver nice looking results fast, don’t hesitate using this profile. The current slow motion option is truly nice. XF14mm F2.8 XF16mm F1.4 XF16mm F2.8 XF18mm F2 XF23mm F1.4 XF23mm F2 XF27mm F2.8 XF35mm F1.4 XF35mm F2 XF50mm F1 XF50mm F2 XF56mm F1.2 XF60mm F2.4 Macro XF80mm F2.8 Macro XF90mm F2 XF200mm F2 XF8-16mm F2.8 XF10-24mm F4 XF16-55mm F2.8 XF16-80mm F4 XF18-55mm F2.8-4 … This option delivers two benefits: faster burst shooting rates, and a higher 1.25x crop factor that makes framing distant subjects easier. (Tilted only). But recent update suggest – Upcoming Firmware update will uplift the Full HD frame rates to 240FPS, same as we have in the Fuji X-T4. It’s how those frames are captured and played back too. It is one of those companies that have no higher video market share to protect and as such, they are free to move forward as fast as their R&D capabilities and budget allows. Now, by downscaling (or averaging) four pixels of an 3840×2160 image to 1 pixel of an 1920×1080 image the signal value should stay the same (the patch of the Xyla chart will have the same luminance no matter with how many pixels you record it), but the noise value will change because noise is random (uncorrelated), hence averaging (or in mathematical terms the root mean square value of noise which is measured in the recorded image) scales with the square root of the number of samples. Fujifilm X-T30, take the aperture of the lens Hello XT-3! Head to, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, Three New SIGMA Prime Lenses for L-Mount revealed, X-tra Camera Battery on Kickstarter Offers Capacity Boost, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, TourBox 2020 Review – A Versatile Control Panel for all Your Apps, https://www.youtube.com/watch?v=Jz1JcAZkvG8, https://www.amazon.com/Concept-FujiFX-X-Pro1-Mirrorless-Cameras/dp/B06WVNHSDD/ref=sr_1_3?creativeASIN=B06WVNHSDD&linkCode=w61&imprToken=9XBYCWH3Qns6NpQoJcu8dw&slotNum=0&ie=UTF8&qid=1546258949&sr=8-3&keywords=K%26F+concept+EF+to+X, https://www.bhphotovideo.com/explora/computers/tips-and-solutions/numbers-your-memory-card, A choice between two different types of compressions. This particular camera should get some love and attention from the filmmakers community. Buy FUJIFILM X-T3 Mirrorless Digital Camera with 18-55mm Lens (Black) featuring 26.1MP APS-C X-Trans BSI CMOS 4 Sensor, X-Processor 4 with Quad CPU, UHD 4K60 Video; F-Log Gamma & 10-Bit Out, 2.16m-Point Phase-Detection Autofocus, 0.75x 3.69m-Dot OLED Viewfinder, 3.0" 1.04m-Dot Tilting LCD Touchscreen, Extended ISO 80-51200, 30 fps Shooting, Bluetooth and Wi-Fi; Sports Finder … This means the 10-24 mm lens in 4k on the X-T3 has a field of view equivalent to that of a ~18-43 mm lens on 35 mm format, in comparison to 15-36 mm when used natively when shooting stills or any video mode without an additional crop.