By contrast, Blackmagic RAW footage is usable right out of the camera. Quirky iris control aside, I love this about the Ursa. Blackmagic made a point to unify its UI across camera models, so if you own a Pocket Cinema Camera, you’ll feel at home with the Ursa. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG/EFP, and cinema. The Blackmagic URSA Mini Pro 4.6K G2, the second generation of the URSA camera, was announced in March 2019. Blackmagic hits a low price by selling you a bare-bones camera. Upgrade your lifestyleDigital Trends helps readers keep tabs on the fast-paced world of tech with all the latest news, fun product reviews, insightful editorials, and one-of-a-kind sneak peeks.Digital Trends may earn a commission when you buy through links on our site. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. In practice, I didn’t notice it at all, except in very quick pans where I was purposefully looking for it. They’re worth about $1,900 together. Blackmagic Design URSA Mini Pro 4.6K G2 Camcorder, Memory Card, CFast 2.0, SD, 10.2 cm (4in), LCD, Manual Camcorder, Black 4.8 out of 5 stars 7 $6,014.99 Only 1 left in stock - order soon. The G2 weighs in at 5.07lb (2.3kg) for the body, which is only just over that of a Sony FS7, and less than, say, a Sony PXW-500 ENG camcorder. Related: ursa mini pro 4.6k g2 ursa mini pro 4.6k ursa mini 4.6k c300 mark ii ursa mini pro g1 arri alexa canon c200 red scarlet w ursa mini 4k ursa mini 4.6 bmpcc 6k … Most notably, this means new high frame rate (HFR) options for slow motion. I am by no means an expert colorist, or even a proficient DaVinci Resolve user, but coming from the world of still photography — where RAW files have been common for many years — working with RAW video feels familiar. The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. Where other such machines appear terrifying in their complexity, the Ursa is docile. Blackmagic Design URSA Mini Pro 4.6K G2 EF-Mo... Overview. It also features a battery indicator, card recording status, and audio meters for monitoring levels. As a result the G2 is actually very mobile to use, with much of the final weight and balance being determined by your lens and battery selection. DaVinci Resolve is designed to handle the 12-bit log raw images from URSA Mini Pro G2, so you can take advantage of URSA Mini Pro G2's image quality and wide dynamic range. Copyright ©2020 Designtechnica Corporation. The Ursa Mini Pro G2 is proof we live in an incredible time for photo and video gear. While the viewfinder may not come standard, a touchscreen monitor does, and it’s the most approachable user interface you can get on a camera. Well, unless you want to import straight into Final Cut Pro X, which currently does not have a plugin to support .braw files. But once you’ve settled on your favorite, there’s nothing else in the way of living out your directorial dreams. That’s awesome. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard. The camera was announced earlier this month, and the first footage was recently released. Think sunglasses for your camera. Oversampling from 12K gives you the best 8K and 4K images with the … I can’t do that in India. DaVinci Resolve features advanced, multilayer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools. That last one opens the Ursa up to a legacy of photographic lenses going back decades. All rights reserved. The result is not only a pro-level video camera that puts my aging-but-trusty Fujifilm X-T2 to shame, but the best value in the cinema world, period. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition. When the new URSA Mini Pro 4.6K G2 arrived at the cinema5D office this summer, we were quite curious to see if the lab results would show a difference as Blackmagic Design claims in their official press release that, “the second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor”. At the heart of the camera is Blackmagic Design's acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. In fact, at 12:1 compression, the bitrate is lower than the 400 megabit-per-second non-RAW codecs in cameras like the Panasonic Lumix GH5s and Fujifilm X-T3. You’ll still want a fast V90 card to be safe, but you no longer have to be a professional studio or have a huge budget to work with RAW video. With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. However, data-heavy uncompressed raw files aren't always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility. The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. But some of the Ursa’s key features — like Blackmagic RAW — are available in the more affordable Pocket Cinema Camera series. Well, OK, it takes a little more work than that. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting. Of course, for many of us, $6,000 may as well be $60,000. Alex Schwindt is a filmmaker and writer with over two decades of ministry experience. BH #BLURSAMPG2 • MFR #CINEURSAMUPRO46KG2, Upping the electronics and recording capabilities of its Mini Pro predecessor, the. URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring fully redesigned electronics and a new Super 35mm 4.6K image sensor with 15 stops of dynamic range that combine to support high frame rate shooting at up to 300 frames per second. $5,995 For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more. I am envious of today’s film students who might have access to it. But it’s a well … Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones. The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Includes features such as 3 x ND filters, Blackmagic RAW, USB‑C external disk recording and more! The interface is easy to learn if you haven’t used a Blackmagic camera before. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Not me. T he best digital camera for multi-functionality on the market, the Blackmagic URSA Mini Pro now has an update – the Blackmagic URSA Mini Pro 4.6K G2. The URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. The film also used DaVinci Resolve Studio for color correction, which was completed by Saigon based colorist and post production supervisor Bui Cong Anh. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port. I’m not sure what makes a Red or Arri, the cameras of choice in Hollywood, worth tens of thousands more. Speed up future orders, see order history, create wish lists, and more. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. OLPF URSA Mini Pro 4.6K G1|G2. About Morgan. You have to first decide which record button to press — there are, like, four of them. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction. First, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow/fast motion, or engage focus assist or other functions. Let’s take a look at this new URSA Mini Pro G2 and all its bells and whistles below. View online or download Blackmagicdesign URSA Mini Pro 4.6K Installation And Operation Manual © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001, 4608 x 2592 with 15 stops of dynamic range at 3200 ISO, 4.6K images at up to 120 frames per second, Windowed 4K DCI at up to 150 frames per second, Windowed 1080 HD at 300 frames per second, Blackmagic RAW images in both film and extended video modes, USB-C expansion port for recording to external drives, Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera. Blackmagic Design today announced that the new film “Sài Gòn Trong Cơn Mưa (Saigon in the Rain)” was shot on URSA Mini Pro 4.6K G2 using Blackmagic RAW. Only 5 left in stock - order soon. Buy. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. Blackmagic Design URSA Mini 4.6K G2 EF Mount. This item: Blackmagic Design URSA Mini Pro 4.6K G2 Camcorder, Memory Card, CFast 2.0, SD, 10.2 cm (4in), LCD… $5,995.00. By default, the URSA Mini Pro G2 includes an interchangeable EF mount. Sizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. I shot all of my test footage in .braw at 12:1 compression, and it looked gorgeous. The Blackmagic URSA Mini Pro 4.6K G2 is the new version of the popular URSA Mini Pro. At a fiver under $6,000, I won’t be buying one anytime soon, but it’s a heck of a lot more affordable than similar cinema cameras from other manufacturers. Both cameras yield some beautifully cinematic footage, and this post takes a look at footage from each. This is the single greatest reason why I … Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Store #0906712 Elec. With selectable levels of compression up to 12:1, .braw clips can be recorded to standard SD cards. Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! With more than two decades of experience Jay P. Morgan brings to his commercial studio two special qualities: a keen appreciation of the bizarre and a knack for flawlessly executing elaborate shots. A viewfinder, battery, and handle are all add-ons that can add hundreds or thousands to the price. The URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design 's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. Footage shot at ISO 3,200 can look grainy, especially if you try to lift the shadows in post, but at no point did I think it looked bad. Hd. It looks absolutely gorgeous. Deal. In some ways, it is easier than working with other codecs, like h.264 or even ProRes, which is often recorded using a flat, logarithmic tone curve to preserve dynamic range, and looks like garbage before color correction is applied. Six grand is a lot of money. After a few years of striking and bizarre designs, Blackmagic landed on a familiar shape that straddles the gap between cinema camera and ENG camcorder. Ships from and sold by SabrePC. (A plugin does exist for Adobe Premiere Pro.). Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Despite its size, the URSA Mini Pro G2 still fits essential controls and I/O for professional workflows. Since the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. Red has never been in this space, until now. Yet here, with the Ursa, it feels like a bargain. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. The Ursa Mini Pro G2 from Blackmagic Design is a compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps. Blackmagic Design already has the solid URSA Mini Pro G2 (Amazon, B&H) in their lineup, and their Pocket Cinema Cameras are massively popular as well. Two of each CFast 2.0 and SD slots are available for recording media. Just announced a few weeks ago, the new Blackmagic URSA Mini Pro 4.6K G2 looks to have already begun making the rounds with select videographers enough to garner some first hands-on footage tests.. Using a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. The 12G-SDI output handles up to 2160p60 using a single BNC cable and switches to 6G-SDI or HD-SDI depending on the shooting format. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. Blackmagic Design today announced that the new film “Sài Gòn Trong Cơn Mưa (Saigon in the Rain)” was shot on URSA Mini Pro 4.6K G2 using Blackmagic RAW. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries. That means it's easy to use the camera with existing professional power supplies and batteries. Filed Under: Uncategorized. And the turnaround time for repairs is long as well. Please enable javascript for your best B&H experience. #0907905; Sec. Let’s take a quick look at it! Photographic lenses are much more affordable than their cinema counterparts, but often of no less optical quality. Blackmagic URSA Mini Pro 4.6K G2. Digital Trends’ video team even used it on the floor at CES 2020. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the "Film" dynamic range for a flatter image for grading in post-production, or "Video" dynamic range for a finished look right out of the camera. All other standard return policy conditions apply. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations). (The Ursa’s autofocus capabilities, however, are not good — stick with manual focus. From a technical standpoint, anyway. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. Simple in the fact that externally the Blackmagic Design URSA Mini Pro 12K is essentially the same camera as the URSA Mini Pro G1 and G2 4.6K cameras. I edited and colored the clips in Blackmagic DaVinci Resolve 16 on my eight-year-old iMac and, well, it worked. Deal. With high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. Importantly, that high ISO comes in handy when shooting HFR footage, which necessitates a faster shutter speed and requires you to compensate by either opening the iris or raising the ISO. Re: URSA Mini Pro G2 Dual Record Tue Apr 23, 2019 4:17 pm If the new UM Pro follows how the Pocket 4K is set up, the USB-C is set to the SD card slot, and switches to USB-C when SD card media is selected. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality. The iris dial is difficult to reach when the monitor is open, a design flaw that Blackmagic might have overlooked because cinematographers using actual cinema lenses will use the iris ring on the lens. When I tested the first-gen Ursa Mini Pro 4.6K, it was before Blackmagic had released its RAW video format. Take a peek at some of the first high frame rate footage from the URSA Mini Pro 4.6K G2. The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. However it was supplied with an Anton Bauer Cine 90, an… “Bear” is a fitting name for the beast that is Blackmagic Design’s Ursa Mini Pro 4.6K G2, the company’s flagship cinema camera. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. I’ve never been so dumbfounded by how easy a camera makes professional-caliber shots. (In truth, that’s still quite affordable in the realm of cinema glass.). Serv. Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. URSA Mini Pro G2 Features: 4.6K Super 35 HDR CMOS Sensor; 4.6K up to 120 fps, 300 fps at 1080p Blackmagic URSA Mini Pro 4.6K G2. Sample footage shot on the Ursa Mini Pro G2, Panasonic Lumix S1H review: Still the video champ, How to take great photos with your Pixel 4 or 4 XL, Fujifilm X-T4 vs. Fujifilm X-Pro3: A difference in form and function, The best VSCO filters, from classic film to cinematic, Meet Moment’s iPhone 12 MagSafe cases and photography mounts, DJI Mini 2 gets upgraded with 4K video, OcuSync tech, and stronger motors, Sony looks set to fly into drone market to take on the mighty DJI, Amazon slashes price of Canon EOS Rebel SL3 DSLR Camera for Black Friday. Blackmagic URSA Mini Pro G2 B&H: https://bhpho.to/2Jn3qwX Amazon: https://amzn.to/2MFE6S8. The status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. You can select 0, 2, 4, or 6 stops of density by turning a dial, meaning you never have to fuss with a screw-on lens filters. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized. It could shoot Cinema DNG, an open RAW format by Adobe, but I didn’t have the storage space or processing power to handle it. You have until Feb 01, 2021 to return or exchange items bought after Oct 19, 2020. Enter new zip code to refresh estimated delivery time. I also appreciated how the camera records audio in HFR mode, something many lesser cameras don’t do. Another welcome pro feature is the built-in ND (neutral density) filter wheel. Speaking of which, Blackmagic do not specify a power draw for the camera. URSA Mini Pro 4.6K G2, is a professional digital film camera that combines 4.6K resolution with the traditional features and controls broadcast camera. Blackmagic URSA Mini Pro 4.6K G2. If it’s out of your budget, it’s out of your budget. But as someone who shoots video on a hybrid mirrorless camera, I can see the value in moving up to the Ursa. As the second and third seasons’ DP and post supervisor, I chose to shoot the second season with Blackmagic URSA Mini Pro and URSA Mini Pro G2 digital film cameras, pairing them with Angenieux EZ-1 and Angenieux EZ-2 lenses, and equipping them with Blackmagic URSA Viewfinders and Blackmagic URSA Mini Shoulder Kits for ease of use. On its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. Sure, that’s a chunk of change, but it’s a far cry from the $8,000 required for the cinema versions of those lenses. The email address you entered was an invalid email. One complaint? The G2 introduces a USB-C expansion port so you can record directly to external drives. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the color science of the URSA Mini Pro G2 to maintain consistent image quality with minimal color shift. It’s also flexible. This allows you to either slow the audio down in post to match the footage (think of the dramatic “Noooooo!” being yelled by a character approaching certain doom) or ramp the footage back up to real-time speed and use it more-or-less like a regular clip, if you need to. Blackmagic Design URSA Mini Shoulder Kit for The USRA Mini, Tripod Quick Lock Release $395.00.