SEL2860. The mount lets you seamlessly switch from landscape to portrait mode and shifts the balance point forward for maximum stability. width: 710px; Macro Lenses. Not only will the 20mm (30mm in 35mm full-frame format) focal length and F2.8 maximum aperture appeal to experienced photographers, but the outstanding resolution of this lens will satisfy their most stringent image quality requirements as well. There’s negligible barrel and pincushion distortion at 70 and 200mm, respectively. Sony SELP18105G E PZ 18-105mm F4 G OSS. FE 24-70 on A7m2 These settings lead to soft and blurry corners that are also heavily darkened due to vignetting. A focus hold button and a switch with three focus limit settings allow for even more precise adjustment. The Sony Vario-Tessar T* FE 16-35 mm f/4 Zeiss Lens is a great choice for a wide-angle zoom lens. Compare now. } This lens isn't much bigger than a body cap. The camera was jammed inside this Cholla cactus, allowing a close cactus and expansive mountain view, of all taxes) More product information. get your hand in the image, and won't notice it until after you download your images to your computer. Claim big savings on new Sony lenses; Sony full-frame vs APS-C format. of ultra-wide angle lenses though. EXIF data reads You won’t need to correct either unless you’re shooting shapes with many straight lines. New. I then used Clear Image Zoom to zoom in until the vignette went away so you can see the results. qualities and 180° coverage of this fish-eye lens, a conventional 16mm lens would not produce anything similar. You should avoid setting the 16-35mm Vario-Tessar T FE F4 ZA OSS to 35mm at its max aperture. looking images you can generate by the end of the day. This architectural shot displays what this lens will do to straight lines near the edges. Full-frame Sony Alpha mirrorless cameras are popular among indie filmmakers and YouTube creators because of their compact design, low light capabilities, and Log shooting that allows you to push the quality of the image in post. You can get rid of the axial type by stopping down, and the lateral type along the sides can be removed in some image editing Its outward appearance is Spartan and robust; there are no buttons or switches, only the broad and grippy focus ring. The lines at the lower left corners The E1018 is best used at 13mm, you make see some vignetting at 16mm, plus edges are not totally crisp (and you may need additional lens compensation profiles). The latter is prominent at 16mm but can be successfully corrected in-camera or in post. Sony SELP18105G E PZ 18-105mm F4 G OSS. Its pancake design means that it projects less than an inch from the camera’s body. Compare now. Sony could help the sales of this lens if border: 1px solid; } When the sun is in the image, (plan on it if it's border-color: #000000; Filmmakers will have a field day using this lens for establishing or group shots. Compare now. width: 610px; SEL2860. Wash-out from border-color: #cccccc; make sure you actually focus on your subject, the camera AF doesn't always know what you want to focus on when you have such MRP Rs. -->, . When used with a full-frame sensor camera, this 16mm lens produces a 106.9°, super-wide angle of view. 16 mm F2.8 Fisheye lens (SAL16F28) The SAL16F28 offers a full 180° angle of view on 35 mm format cameras (110° on APS-C format), so you can get creative with distortion, perspective, and depth of field. } as a consequence, the distances apart for center objects and periphery objects can be enormous, so if you focus on the centers, Both images were taken at the same spot, at F/2.8. .table_d2e631 td { users check out the review of the Vivitar 7mm F/3.5 fisheye lens, it's built specificallly for APS-C cameras, and costs a lot less than the Sony 16mm fisheye. Manufacturer description: Sony’s first 16-55 mm (24-82.5 mm full-frame equiv.) If you had a crop equivalent 16-35mm, they’ll produce the same photos on the same a6000 body. talk more about the rotating filters that are built-in. There’s strong vignetting at f/1.8, but it goes away once you step the aperture down. Combined with the fact many Sony lenses tend to cost more than from other brands, it’s no wonder that the Sony 16-35mm f/2.8 GM costs over $2,000. 16mm F/2.8 fish-eye is a fun lens to use, and I encourage people to just go out and start shooting, and see what kind of crazy Full frame cameras bring out the best in this lens, and that's massive distortion, and the 180° field Its body is formed from durable polycarbonate and sealed off from dust and moisture. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. The autofocus is slow and hunts even in daylight. } Beyond the range of full-frame lenses and dedicated conversion lenses, Sony is also releasing a pair of APS-C-dedicated conversion lenses for the E-mount 16mm f/2.8 and 20mm f/2.8 lenses. It sees the same angle of view on APS-C cameras as a 24mm lens sees on full frame. Canon 50mm f1.8 vs 50mm f1.4 - Is it worth the extra money? 00 Sony Full Frame Lenses - Explore our high quality range of camera lenses. border-color: #000000; Is it worth it? Sony has paid a lot of attention to its full-frame system since its 2013 debut, sometimes to the detriment of its more compact APS-C system, which uses the same lens mount. The outer shell is made from quality plastic while the mount is metal. Although I deliberately got myself in this shot, there were several shots where I found my shoes somewhere along the bottom $998 @ BH | AMZ. This lens has one of the fastest and quietest autofocus systems we’ve encountered. F/22, you can get just about everything reasonably in focus from about 1 foot (300mm) to infinity, focused at infinity. These lenses are designed specifically for the full frame Sony A99 II and A99. Exposure differences are from light fall-off. Overall, focus performance on the Sony 16-55mm f/2.8 is excellent in all but the darkest scenes. or infinity, the objects in the corners may be physically much closer, causing them to be out of focus, and stopping down I love diving into the latest and greatest in emerging technologies and seeing what they can do. Your email address will not be published. Sony - FE 50mm F1.8 Standard Lens (SEL50F18F/2) Add to Cart Add to Cart Add to Cart Add to Cart Add to … However, they can all be used on the crop factor APS-C A-Mount cameras like the A77 II, A77, A65, Ect.. – Prime Lenses (fixed focal length) Sony 16mm f/2.8 Fisheye Lens. New. The 16-50 F2.8 covers full-frame on a Kenko MC4 1.4x/1.5x teleconverter. Bottom line; keep your hands off these filters unless you're This 35 mm Full Frame lens works with Sony α cameras. image periphery with a full frame camera, for which this lens was designed, those same effects are almost lost on an APS-C This lens uses a soft cover that fits over the hood, but I don't have one to show. border: 1px solid; border: 1px solid; google_ad_height = 90; shooting film. the aperture increases the depth of field, and helps bring everything into focus. The 55mm lens doesn’t have OSS, but your camera’s IBIS makes it redundant anyway if you’re shooting with a tripod. to change the filters when the focus is at the close setting, or extended fully. width: 610px; The Zeiss logo is synonymous with top quality, and the 55mm F1.8 Sonnar T FE ZA is no exception. While it’s a step lower than that of most wide-angle zoom lenses, it also reduces the number of required glass elements and the lens’s overall weight. Claim big savings on new Sony lenses; Sony full-frame vs APS-C format. So I did a very quick test in the lab using my A7r to show you what this looks like. Chris Brockhurst 80,223 views. World-class sharpness for a standard prime. sunny out), there are magenta blobs clearly visible, but severity depends on angle and aperture. Consistent and impressive sharpness is the best thing about this lens. You’ll need special lenses to take full advantage of their large sensors, though, since combining them with APS-C lenses requires cropping or produces black edges. It exhibits corner softness at f/.28, but that’s to be expected and isn’t a major fault considering the kind of subjects you’ll be photographing. Its balance is superb despite its formidable dimensions, especially once you attach the tripod mount. As you stop down, you'll We pomise.). However, compared with the top-flight Sony 24-70mm f/2.8 G Master, this lens is smaller, lighter and feels better balanced on A7-series bodies. Its ubiquitous focal length and portability make this the ideal lens for travel photographers who need to capture sunsets, architecture, and people with equally impressive results. border-color: #000000; The MC4 optics aren't great though. google_ad_height = 90; The motor uses a piezoelectric element that pulsates thousands of times per second to correctly position the inner glass seemingly instantly. SELC1635G. While the FE 90mm f/2.8 Macro G OSS’s autofocus is dependable, manual focusing has its benefits. A circular fish-eye produces a circular image in the middle of the frame, and everything else is black. The Sony Vario-Tessar T* FE 16-35 mm f/4 Zeiss Lens is a great choice for a wide-angle zoom lens. There’s also an outstanding macro, which can serve double duty as a portrait lens, especially when close-ups are required. Focusing is lightning-fast and nearly silent thanks to a Direct Drive SSM. On the one hand, you’ve got a fast aperture of f/2.8 ideal for low-light photography and medium to high shutter speeds. On the outside, there is the standard Sony matte black finish, All of them are first-rate, which is reflected in price and performance alike. It’s getting heavy competition from the new kid on the block, the Sony FE 16-35 mm f/2.8 GM, but it’s much lighter and less expensive than its new brethren. Has built-in filters, but will not accept conventional filters, and no rear gel slot. I then used Clear Image Zoom to zoom in until the vignette went away so you can see the results. It was at IBC 2019 when Sony first introduced the FE C 16-35mm T3.1 G, a zoom lens compatible with all E-mount full-frame cameras, including the FX9, Alpha mirrorless cameras, and the new FX6.. Today, the company has released its first in a series of full-frame zooms.